Precarious Film Practice
Photo: Christian Brems.
In this series, the artists Eva La Cour, Mia Edelgart and Joen Vedel set out to use live editing as a method of articulating issues of representation, historicity, temporality and technological agency in training and the ‘nurturing’ of affective sensitivity and attention. Live editing is a form of cinematic practice in which the sequence of images is not arranged in a pre-established narrative and temporal structure, but instead is performed in front of an audience in new combinations of live recordings and existing material. Live editing thereby paves the way for new groupings that hover between thinking and image, archive and social process. In this context, as a performative and situated cinematic expression, the film’s technological conditions and visual expression encounter bodies, time and space.
EVENTS:
AHC : Art & Research : Testing Ground : Kristoffer Raasted : New Connections Queering the Radio Voice I : 25.02.21
AHC : Art & Research : Testing Ground : Kristoffer Raasted : New Connections Queering the Radio Voice II : 04.03.21
AHC : Art & Research : Testing Ground : Kristoffer Raasted : New Connections Queering the Radio Voice III : 18.03.21
AHC : Art & Research : Testing Ground : Kristoffer Raasted : New Connections Queering the Radio Voice IV : 25.03.21
AHC : Art & Research : Testing Ground : Kristoffer Raasted : New Connections Queering the Radio Voice V : 16.04.21