Drypper, sveder, bader, 2022. Photo: Youngjae Lih.
Join us for the first Free Lunch of the year when AHC To-Go resident Therese Bülow, in conversation with Nanna Stjernholm Jepsen and Sara Mering, will delve into the valuation of materials, textile production of flax, and how shiny surfaces carries a lot of lived life. The conversation will take its point of departure in Bülow's current exhibition Swing Pattern Gone at Matteo Cantarella.
The exhibition runs until 29 March with a free guided tour by Therese Bülow on 27 February at 13:00.
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Participation is free, but registration is required. If you wish to participate in the lunch, please register via rsvp@arthubcopenhagen.dk
Please note that the conversation will take place in Danish.
There is a limited number of places.
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ABOUT THERESE BÜLOW
Therese Bülow's sculptural and performative practice explores the relationship between what holds and what is held. With a particular interest in the body, craft traditions and how we as humans take care of each other and our environment, Bülow has a radical approach to the materials in her work. Since 2022, she has, together with a group, grown and processed flax in the garden of Rønnebæksholm in Næstved.
ABOUT SARA MERING
Sara Mering is a PhD fellow in Literary Studies at the University of Copenhagen with her research project 'the Landscape as a Literary Archive' (Landskabet som litterært arkiv). She examines how different types of landscape shape different types of narrative, knowledge and imagination. She is also a writer and editor. She has previously written about, among other things, textile crafts, folk tales and climate change and edited works for Forlaget Virkelig. And she enjoys collaborations across generations, disciplines and practices.
ABOUT NANNA STJERNHOLM JEPSEN
Nanna Stjernholm Jepsen is a PhD student in Art History at the University of Copenhagen as part of the research project OIKOS – A Cultural Analysis of Care and Crisis in the 21st Century. She is also a curator, writer and editor with a special focus on contemporary sculpture, feminist theory, performativity, new materialism and ecocriticism. She has previously been a museum curator at ARKEN and assistant curator at Louisiana. In 2024, her comprehensive monograph ‘Emil Westman Hertz – Altid forandret’ was published by Aarhus University Press.
