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Minimalism-Maximalism-Mechanissmmm Act 3

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New Red Order, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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New Red Order, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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New Red Order, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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New Red Order, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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New Red Order, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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New Red Order, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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New Red Order, detail. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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New Red Order, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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New Red Order, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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Kasper Hesselbjerg, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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Kasper Hesselbjerg, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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Kasper Hesselbjerg, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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Kasper Hesselbjerg, detail. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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Kasper Hesselbjerg, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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Kasper Hesselbjerg, detail. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

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Kasper Hesselbjerg, installation view. Minimalism-Maximalism-Mechanissmmm Act 3, Art Sonje Center, 2022. Photo: Euirock Lee.

The exhibition series Minimalism-Maximalism-Mechanissmmm examines how artists use materials to tell stories about their surroundings and everyday life. The exhibition creates connections between the artworks and the observer and examines how the curator can influence the aforementioned relationship between the work and the audience. As a whole, the exhibition is presented thematically about how the institution presents itself, the art and the observer, in order to give the audience experiences and knowledge about how meaning and connections are created spatially.

Former AHC residents Adam Khalil (New Red Order) and Kasper Hesselbjerg were part of the third act in the series, and exhibited their work at Art Sonje Center in Korea in 2022.

Minimalism-Maximalism-Mechanissmmm is divided and conceptualized into four acts by director of AHC Jacob Fabricius.

ABOUT ADAM KHALIL (NEW RED ORDER)
Adam Khalil, a member of the Ojibway tribe, is an artist whose practice attempts to subvert traditional forms of image-making through humor, relation, and transgression. Khalil is a core contributor to New Red Order and a co-founder of COUSINS Collective. Khalil’s work has been exhibited/screened at the MoMA, Sundance Film Festival, Tate Modern, HKW, Toronto Biennial 2019 and Whitney Biennial 2019, among other institutions. Upcoming exhibitions will be held at Gasworks in London, Spike Island in Bristol, and Artists Space in NYC.

ABOUT KASPER HESSELBJERG
Kasper Hesselbjerg (1985) graduated from the Royal Danish Academy of Fine Arts in 2013. His artistic practice unfolds in the intersection of both sculpture, image, and text. Here, he examines the premises of the encounter with the objects in our everyday lives and how we, together with them, can create meaning.

AHC : gives time, space and voices to artistic experimentation

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