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Selected profiles
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Silas Inoue (DK/JP)
Silas Inoue’s practice explores some of the ongoing discussions between nature and technology, and how these worlds merge and transform systems, bodies and environments. His works range from monstrous sculptures and total installations to detailed drawings and living microcosms. The work is driven by idiosyncratic attempts to create contact between known phenomena from the world we live in and ideas about other possible worlds. Silas Inoue has exhibited nationally and internationally, including at Ulterior Gallery in New York City, Sonje Art Center in Seoul, CAPC in Bordeaux, Horsens Kunstmuseum, Bornholms Kunstmuseum, Aarhus Kunsthal, Arken and Sorø Kunstmuseum.
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Christine Dahlerup (DK)
Christine Dahlerup (b. 1997, DK), obtained an MFA from The School of Sculpture / The Royal Danish Academy of Fine Arts in 2024 and has studied with professor Nora Schultz at the Academy of Fine Arts Vienna. She has exhibited in Copenhagen, Oslo, Vienna, Bregenz, Prague, Offenbach am Main, Karlsruhe and Hamburg and is a co-curator of the exhibition space Salon 75 (DK). In June 2025, she will present her first solo exhibition at the independent art space Medūza in Vilnius. In her work with sculpture, installation, text and images Dahlerup thinks with form, mediation and spectatorship. Exploring how narratives about society are constructed, she has an interest in how we engage with flatness and what is framed. The space occupied tests the ‘weightiness’ of art historical discourse and examines the properties of image and vision. The authorship of each work aims to contain both the innateness of things, the artist, the exhibition space, and the eyes looking at the work.
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Madeleine Andersson (SE)
Madeleine Andersson’s (b. 1993, Sweden) multidisciplinary work across video, sculpture and performance blends together academic theory, scientific instruments, pseudo-scientific excitement, social media and horror films in playful installations. Her research practice proposes alternative historisations and speculative structures to expose and disrupt the psycho-social dimensions of knowledge production. This eclectic collection of things allows her to investigate the intersection of science and pop culture; their self-experimentation, quest of inner truth and struggle with inhibition. Andersson has previously exhibited at venues including documenta institute, Kassel (2024); Färgfabriken, Stockholm (2023); Galerie 35m2, Prague (2023); Bærum Kunsthall (2022); Kunsthal Charlottenborg, Copenhagen (2022); and Nikolaj Kunsthal, Copenhagen (2019, 2020).
