Selected profiles

• Silas Inoue ^(DK/JP)

  Silas Inoue’s practice explores some of the ongoing discussions between nature and technology, and how these worlds merge and transform systems, bodies and environments. His works range from monstrous sculptures and total installations to detailed drawings and living microcosms. The work is driven by idiosyncratic attempts to create contact between known phenomena from the world we live in and ideas about other possible worlds. Silas Inoue has exhibited nationally and internationally, including at Ulterior Gallery in New York City, Sonje Art Center in Seoul, CAPC in Bordeaux, Horsens Kunstmuseum, Bornholms Kunstmuseum, Aarhus Kunsthal, Arken and Sorø Kunstmuseum.

• Christine Dahlerup ^(DK)

  Christine Dahlerup (b. 1997, DK), obtained an MFA from The School of Sculpture / The Royal Danish Academy of Fine Arts in 2024 and has studied with professor Nora Schultz at the Academy of Fine Arts Vienna. She has exhibited in Copenhagen, Oslo, Vienna, Bregenz, Prague, Offenbach am Main, Karlsruhe and Hamburg and is a co-curator of the exhibition space Salon 75 (DK). In June 2025, she will present her first solo exhibition at the independent art space Medūza in Vilnius. In her work with sculpture, installation, text and images Dahlerup thinks with form, mediation and spectatorship. Exploring how narratives about society are constructed, she has an interest in how we engage with flatness and what is framed. The space occupied tests the ‘weightiness’ of art historical discourse and examines the properties of image and vision. The authorship of each work aims to contain both the innateness of things, the artist, the exhibition space, and the eyes looking at the work.

• Madeleine Andersson ^(SE)

  Madeleine Andersson’s (b. 1993, Sweden) multidisciplinary work across video, sculpture and performance blends together academic theory, scientific instruments, pseudo-scientific excitement, social media and horror films in playful installations. Her research practice proposes alternative historisations and speculative structures to expose and disrupt the psycho-social dimensions of knowledge production. This eclectic collection of things allows her to investigate the intersection of science and pop culture; their self-experimentation, quest of inner truth and struggle with inhibition. Andersson has previously exhibited at venues including documenta institute, Kassel (2024); Färgfabriken, Stockholm (2023); Galerie 35m2, Prague (2023); Bærum Kunsthall (2022); Kunsthal Charlottenborg, Copenhagen (2022); and Nikolaj Kunsthal, Copenhagen (2019, 2020).

• Eunhee Lee ^(KR)

  Eunhee Lee(born in 1990, South Korea) creates experimental and documentary videos/films which explore the relation between individual, image and technology in a social context. Technology is not only a product of science, but a complex compound of different political and economical interests. The practice of observing these phenomena is an ongoing attempt to understand the strange and absurd world we live in. Eunhee Lee received Absolvent and Meisterschüler in Fine Art at Universität der Künste Berlin, and acquired MFA at Korea National University of Arts. Based in Seoul, Lee held solo exhibitions at Doosan Gallery(2023), The Reference(2021), CR Collective(2020), participated group exhibitions at Seoul Museum of Art(2022), National Museum of Modern and Contemporary Art, Seoul(2022/2021), ARKO Art Center (2020), Museum of Contemporary Art Busan(2019) and many others. Her films have been screened at the Jeonju International Film Festival(2025), DMZ Documentary Film Festival(2022), EXiS Film Festival(2018/2019), The Seoul International NewMedia Festival(2023/2018).

• Ghost Agency ^(DK/MX)

  The work of Ghost Agency – Anni Garza Lau and Gro Sarauw – revolves around gender and environmental injustices. Central to their effort of pursuing accountability is a focus on how power misuses technology to manipulate time as a medium for the perpetuation of injustice and impunity.  Rooted in the specific context of Mexico, Ghost Agency investigates how gender violence, impunity, and what we term techno-impunity converge in systemic patterns of abuse resulting in environmental injustices. In analysing temporal dissonances in a society that neither acknowledges the present reality nor engages meaningfully with its past or future, we explore how the present might be reclaimed through the proposal of digital sanctuaries? Ghost Agency operates at the intersection of artistic practice, digital technology, and humanitarian inquiry and translocally—between Mexico, the U.S., and Europe. Ghost Agency has exhibited in Mexico City, Tecate (MX),  Los Angeles, San Diego, Barcelona and Copenhagen. Aside from developing cybersecurity technologies and literacies with their team translocal settings, they lecture  and teach at art schools and universities. Ghost Agency is founded by Gro Sarauw and Anni Garza Lau.